Enjoy a virtual conversation with widely traveled poet and performer, Keith Flynn, on December 18th at 7PM! We will be discussing his newest collection of poetry, The Skin of Meaning.
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The Skin of Meaning is award-winning poet Keith Flynn’s sixth and most wide-ranging collection, seeking to find the tangible analogs and visceral meanings behind the daily bombardment of digital information, hoping to restore the mystery in our involvement with language, constantly challenging our assumptions about the world we think we see, and providing evidence of another invisible one bristling like an underground river beneath our feet.
From the etymologies of pop culture, history, astronomy, and rock and roll, these poems fan out into a bold multiplicity of voices and techniques. Flynn’s work illustrates the meaning that is also created through tense collisions and is populated with figures in resistance to the status quo, a gathering as varied as Caravaggio, Nina Simone, Gaudi, Villon, Wonder Woman, and Manolete. The final section examines America’s fascination with violence and death, revealing that “a human being in love with mystery is never finished.” This collection constantly challenges our assumptions about the world we think we see and is teeming with evidence of another invisible world bristling like an underground river beneath our feet.
“For some time we’ve been waiting for a poet to appear who could adequately confront the vast and deliriously complex matter of the USA—its people, its art, its material and popular culture, its misdeeds and its election mistakes. Also, one who could respond to the artistic legacy of Europe. Keith Flynn is that poet. His range is wider than any poet’s I’m aware of, a range matched by his varied diction and his fluent mastery of syntax. The apparent ease he brings to this thorny project is one of the work’s most impressive aspects. I urge readers to greet this book with the praise it deserves.”—Alfred Corn, author of Unions
Keith Flynn (www.keithflynn.net) is the award-winning author of eight books, including six collections of poetry: most recently Colony Collapse Disorder (Wings Press, 2013) and The Skin of Meaning (Red Hen Press, 2020), and two collections of essays, entitled The Rhythm Method, Razzmatazz and Memory: How To Make Your Poetry Swing (Writer's Digest Books, 2007), and the forthcoming Prosperity Gospel: Portraits of the Great Recession (RedHawk Publications, 2021). From 1984-1999, he was lyricist and lead singer for the nationally acclaimed rock band, The Crystal Zoo, which produced three albums: Swimming Through Lake Eerie (1992), Pouch (1996), and the spoken-word and music compilation, Nervous Splendor (2003). He is currently touring with a supporting combo, The Holy Men, whose album, LIVE at Diana Wortham Theatre, was released in 2011. He is the Executive Director and producer of the TV show, “LIVE at White Rock Hall,” (www.liveatwhiterockhall.com) and Animal Sounds Productions, both which create collaborations between writers and musicians in video and audio formats. His award-winning poetry and essays have appeared in many journals and anthologies around the world, including The American Literary Review, The Colorado Review, Poetry Wales, Five Points, Poetry East, The Southern Poetry Anthology, The Poetics of American Song Lyrics, Writer’s Chronicle. The Cimarron Review, Rattle, Shenandoah, Word and Witness: 100 Years of NC Poetry, Crazyhorse, and many others. He has been awarded the Sandburg Prize for poetry, a 2013 NC Literary Fellowship, the ASCAP Emerging Songwriter Prize, the Paumanok Poetry Award and was twice named the Gilbert-Chappell Distinguished Poet for NC. Flynn is founder and managing editor of The Asheville Poetry Review, which began publishing in 1994.